Working Children in Art
History
It was Charlie Chaplin, the world's best known working child
who portrayed his own childhoods in cinema THE KID representing
the plight of the orphaned, destitute street child The dreams
of this child is poignant and is reminiscent of a demand for the
revolution to eradicate child labour from the Face of the Earth.
Chaplin worked in such professions as packing with pickles, washing
shop windowpanes, playing violin on the street as a clown, entertainer.
Truly street smart-Born of the Street!
The impact of this cultural product has been lasting: though
not enough ~working children have increased a hundred fold in
Asia, Africa and Latin America.
Rajkapoor made bootpolish from chaplinisque influences~ The child
had occupied the center of the moving frames~
Exclusively dealing with this theme is SALAAM BOMBY by Mira Nair
the story of street children ~Many years have gone by when this
story entered social conscience and exited~
What is the representation of the cause of the WORKING CHILD
the world over in the plastic arts?
Tens and thousands of Arts and Artifacts are churned out everyday
the world over as artistic consumption for an "aesthetically
starved " people1 ~a third of whom are children, half among
these children are those on the street or working in sweatshops~
Many are walking on the streets many more are starving and dying.
We can't let our children starve, we can't let them be in darkness,
we can't let them go bare, we can't let our future our children
die~
Art, theater, music, literature has to reflect the needs of this
important segment of society, we who inhabit Asia, Africa, Latin
America have to especially tend to our children~
The market has seized the Artist setting patterns of business
standards in Art dictating style and content. The Artist is successful
when s/he has sold a work for a big price?! it is imperative to
protect this market with a well worked out aesthetic philosophy~
Per sue Art for its own sake, so that the market may flourish
says the high priest of Art-the Art dealer! ~
Art that is responding to life's processes is rejected by these
critics as banal and propaganda!~
Introducing Kathe Kollwitz in her book, Carl Zigrosser writes
"The term especially in the antinomy of ART vs. PROPAGANDA"
is often loosely used~ In a sense all religious art is propaganda
Art in the service of religion, yet no discredit is attached to
it as such~ Michelangelo, Leonardo Da Vince, Raphael, Raja Ravi
Varma can't be rejected as propaganda? Can they?
Again if an Artist feels strongly about some issue or situation
as Callot and Goya or Picasso did about war for example, their
print message is not automatically excluded from the status of
Art| ~PROPAGANDA IS A SPECIAL PLEADING OF A SORT~ "It can
be ephemeral or enduring" If it is ephemeral it will be out
of date when political tactics are realigned or when the issue
is trivial or partisan. It will be unconvincing when the motivation
is half-baked and idea not cast in terms of creative expression~
It will be a work of Art only if the appeal is enduring ~If the
artists speak purely in terms of art, if his allegiance is not
to party but to HUMANITY, if the issues are the eternal verities
death, suffering, love children~
In India are over 80 million working and street children toiling
in the most hazardous industries, doing the most difficult jobs.
Half of our children are primary school dropouts, the literacy,
of our country is backward contributing to the tremendous increase
in the poor~
Everyday a hundred children migrate to Bangalore city 60 by train,
thirty nine by buses and one more waking through~
THEY LIVE ON THE STREETS~
I say they don't need our alms, they don't need to beg for our
food, they don't need our houses to seep in ~
They are demanding that we change our mindset ~They want us to
change our attitudes and values toward them ~Treat children as
wholesome respected members of Society~
And every creative artist should respond and never detach himself
or herself from this issues ~If you must choose between money,
market and humanism. Choose HUMANISAM,
Because ART is HUMANISTIC.
If you want to humanize the world childrenize
it!
Art breaks barriers with respect and regard! It has an intrinsic
sense of equality. It is an objective expression of a subjective
social experience~
It unites all, it celebrates life. There will be so much of art,
music, theater, dance, poetry, writings to eliminate child labour
till such time soon, when this theme will be redundant and thrown
to the dustbin of History~
The there will be only children in GONDWANALAND
Current Issue of India
Born on the street
Born to live on the street
Born tender
Born nameless
Born of the soil
Born to toil
Every child is BORN FREE so says the first article
on CHILD RIGHTS
Free to sing
Free to dance
Free to play
Free to gain knowledge
Free to starve
Free to sleep under the stars~
Free to labour!
The modern society truly liberated all its members: young and
old, the timid and bold, infants in arms, children in saree cradles,
coming down the branches of mango and jackfruit trees! All children
who could clasp walk a few steps~
The modern society, which bases itself on money and material
exchange, evaluates the essence of life and living in these terms~
Every human being animal and vegetable is considered not on its
intrinsic value, but its capacity to multiply money
Onions,
rice, ragi, salt, bread, chilies, chicken, children for a high
price!
Yes children have become an important element in the social production
processes. Children have always contributed to domestic help in
grazing cattle collecting firewood, tending to other children,
cooking, traditionally in crafts and artisans works as an apprentice.
But CHILD LABOURERS who work for 8,10,12 hours a day is the creation
of a very modern society, starting with the industrial revolution~
Tens of thousands of people were drawn off the land from the
countryside to form the urban centers, the mill and the factory.
Mass uprooting of people from traditional work to modern work
brought about a modern way of Life. Overcrowding of cities, the
birth of slums and ghettos, mass cheap labour, cheap people. Accumulation
of wealth and capital produced hunger poverty and free liberated
urban-rural poor. The Exodus from the countryside is still reaching
the peak, unabated.
Among many streams and rivers of Labour migrating to the city
are newer ones.
Springs
rivulets of Children~
Deprived of basic needs of food, shelter and clothing, deprived
of education and knowledge~ CHILDREN LIKE ANTS march into cities
in search of work making the street their home, living by the
stars in the sky!
Poor families have more children, because it means an extra pair
of working hands not an extra mouth to feed~ They need these extra
hands to procure money~ Money demands working hands, which is
fast and cheap
And children meet this demand. They will not get primary education
because they will not go to school~ They will grow up to be poor
and hardworking
.and fall into the POVERTY TRAP, which is
a vicious circle~ They will marry to have an extra pair of hands~
Together they will produce more children to have more extra pairs
of precious hands~ This is the secret of our people of being FOREVER
POOR, toiling from the cradle to the grave~
Somewhere in this chain, there is a mutation~ The child runs
out of home and his village and joins those millions of ants on
the street~
And the children toil in hundreds and thousands of little units
of Labour rooms! In small factories, in Hotels, Auto-Garages,
in the match factories, in construction sites, in homes
..
Behind every match stick that strikes fire: behind ever motorbike
that is moving, behind ever cup of coffee in a Hotel, behind every
brick that builds the houses, behind ever silk sari worn by fashionable
ladies and silk ties of suited gentlemen, behind 8% of this countries
wealth are working children's hands!
SHAME!
This adult world is very unreasonable. How can a society with
its tremendous development in science and technology employ children
as labour?
The world shrinks into a global village through telecommunications~
Markets are expanding with the dawn of the ? com business. So
also CHILD LABOUR~
A big lady, wife of a marketing manager in a big computer company
was hitting Anita on the head with an iron rod till she was bleeding
profusely. She then went to surf the Internet very calmly, while
Anita was surfing in space for help~
The worst of the CULTURE OF VIOLENCE is the ENSLAVEMENT OF CHILDREN
TO TOIL~ Perpetuating this submission of children to toil is the
adult world~
Aware of magnitude of the issue and pretending to be na?ve.
Sipping coffee at a hotel on November, 14th on Children's Day,
turning away when the boy comes to clean the table~
How can the values of and the attitude of adults towards children
be changed? What makes an adult differentiate between his/her
child, who should be free, play, gain knowledge and a child who
s/he will employ?
The working child is "street smart", with very high
self-confidence, a developed will to survive and to live talented.
This acquisition of artistic performing skills development because
of "the will to survive"~
Yet they are all denied the most important aspect of life CHILDHOOD!